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Crans Baldwin shares his vision for EF+LM

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After just six months on the job, Edward Ferrell + Lewis Mittman (EF+LM) CEO Crans Baldwin has begun writing the next chapter for the furniture company, which he calls "Functional Luxury." As part of this story, EF+LM has rolled out a collection of “things we hate to love”— furniture clients want, but designers have a hard time finding in the style and luxury that matches their aesthetic—such as recliners, storage ottomans and headboards. With this program, Baldwin is filling what he believes are the gaps in the furniture industry.
Baldwin has spent the past 35 years working in the home furnishings industry—from fabrics and furniture to floor coverings and lighting, across the residential and commercial sectors. This reporter talked with him about his fresh ideas, vision for the brand and why now is the time for EF+LM to turn the corner.

Tell us a bit about the idea of "filling the gaps" in the industry. What are some examples of the "gaps" and how have you addressed them?
The gaps in our industry in terms of product design are often caused by the difference between what product designers want to design, and what clients actually want to buy. An example that we have started working on is the rectangle that is often a cocktail table, sometimes an ottoman, and sometimes a chest with storage capability. Same space, different end use. So we have launched a line of cocktail storage ottomans at the luxury end of the market.
The same is true for recliners. Design clients want them, but interior designers do not want them for their clients in many cases. So we set about creating attractive recliners and incliners, filling a gap. It is this sort of niche-based thinking that will close the gap between what clients actually want and what is available, or so we hope. There are many other niches as well that we will develop in the coming months.
It sounds like you are going for more of a practical angle. Can you speak to that?
Practical yes, but possibly glamorous as well. What I have experienced is seeing collection after collection being brought out in our industry with little regard to what everyday working interior designers actually need for their clients. EF+LM, under the guidance of Steve Mittman, has had much better luck than some companies in this area, but our thought now is to identify niches that require attention, and then develop product to fill those niches that help designers to complete projects.
Take us through your overall vision for the brand.
As our industry comes back in this post-recession era, it is much different. Competition is different, and so vision has to reflect what actually is rather than what wistfully was. We see a path forward that combines purpose-built niche-based design with American craftsmanship coupled with the flexibility of bespoke manufacturing capabilities. Add to this pretty aggressive lead times and we begin to create a reason for EF+LM to be a “go-to” supplier for the working interior design professional. One such example is our new fast track custom headboard program, which mirrors the company’s very successful fast track custom sectional program.
What are some of the core qualities of the brand?
Everything is American-made and less expensive than other companies of equal quality because we own our own 90,000-square-foot factory in North Carolina. Expedited upholstery deliveries in as little as 15 days, EF+LM offers complete custom capabilities in upholstery and wood products, the company is family owned for over 70 years and has extremely caring customer service personnel and salespeople.

This video, produced by Editor at Large, offers a tour of the EF+LM factory in Greensboro, NC, and a first-hand look at the American furniture manufacturing process. Editor at Large also stopped by the New York showroom to take a look at the finished product: Part I, Part II, Part III.
How do you want designers to think of EF+LM?
“I will go to EF+LM because they will say yes and solve my design problem, or help me to get to a solution to that problem.” One quick example—I helped a client who had to move a 10-year-old sleeper sofa that we had made for her—of course we helped her.
What other companies (home or non-home related) do you see as models for the growth and brand building of EF+LM?
We are watching the smart phone companies and the world of products being developed for the concept of “Aging in Place” in America. Both areas identify needs first, and then build products.
Why is now the right time for the brand to turn a corner?
We really are coming out of this economic downturn, but nothing is the same. However growth is upon us again, and we are studying the new “rules of the road” and getting ready.
What partnerships do you have with designers currently and what's coming down the pipeline?
Design partnerships are critical along with the above plans. Most of our best sellers came from some of the designs of professionals like Marshall Watson, Roger Thomas and Jamie Drake. That being said, we will look for different solutions to different problems going forward.
If you had a crystal ball, where do you see the brand in 5 years?
In 5 years, I would like to see EF+LM be the leading go-to solution provider for professional interior designers in a wide variety of design areas. I believe in the future success of the interior design industry, and look forward to helping them with their success just as they will help us with ours.

NYC&G announces finalists for inaugural IDAs

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After many successful Innovation in Design Awards (IDA) with sister magazines CTC&G (Connecticut Cottages & Gardens) and HC&G (Hamptons Cottages & Gardens), NYC&G (New York Cottages and Gardens)—now in its second year of publication—will host its own IDA Awards September 18 at the Harvard Club in New York City.

Holly Hunt will be honored with the NYC&G Innovator award, which is presented to an icon of the design industry.
The winners across the sectors of interior design, kitchen, architecture, bath, garden design and innovative product design, will be chosen by the following panel of designers: Amanda Nisbet of Amanda Nisbet Design, Thomas O’Brien of Aero Studios, Katie Ridder of Katie Ridder Design & Decoration, Matthew Patrick Smyth of Matthew Patrick Smyth Interior Design, Barbara Sallick of Waterworks and Carl D’Aquino of D’AquinoMonaco.

Highlights from CTC&G's 2013 IDA's
The finalists include:
Interior Design—Alisberg Parker Architects, Glenn Gissler Design, Ike Kligerman Barkley and Studio Tim Campbell.
Architecture—Botta Sferrazza Architects, Charles Hilton Architects, de-spec and Andre Tchelistcheff Architects.
Kitchen—Alisberg Parker Architects, Bilotta Kitchens, de-spec and Lorraine Bonaventura Architect.
Bath—Carol Kurth Architecture, Mojo Stumer Associates, PMD development and Saniee Architects.
Garden Design—Edmund Hollander Landscape Architect Design, Emerging Growth Landscapes, Just Terraces and Johnsen Landscapes and Pools.
Innovative Product Design—Goralnick, Kavante, Nosanchuk Inc and RockPaperRobot.
The winners will be announced at the awards ceremony on September 18 at the Harvard Club in New York City. There will be cocktails at 6:00 p.m., followed by dinner and the presentation at 7:00 p.m. Tickets are $250 and can be purchased here.
Stay tuned for EditorTV coverage of the event.

Nine design competitions and contests to note this fall

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The design industry is teeming with competitions and contests as various companies call for entries for the best of everything from lighting vignettes to rug designs to a social media battle. Below is a look at some ongoing contests into which you may want to throw your hat.

Last contest winner Bronwyn Poole, Touch Interiors
Schumacher invites designers to submit their favorite projects featuring Schumacher wallcoverings for a chance to receive a $500 credit on their next order. The Show Off Your Schumacher Wallcoverings contest winner as well as three top finalists will be featured on the Schumacher blog. To enter, email images of your installation (no larger than 5MB total), a brief description of your project, inspiration behind your Schumacher selection, your contact information and a recent headshot. The deadline for submission is October 1.
The Dwell Vision Award, which celebrates design innovation and skill, is now open for entries and will reward one winner for their excellence in modern design. Entries must consist of projects completed between 2012 and today that are technically and artistically ground breaking, and that show a new method, material or concept that is pushing modern design forward. Submit a project description or statement between 250-350 words that encapsulates your original design elements and methodology along with three or more images. Three finalists will be featured on dwell.com and be flown to New York for an awards celebration where the winner will be announced. The deadline for submission is September 15.
The Design Exchange (DX) has launched a national initiative that seeks to provide a platform for up-and-coming Canadian designers. The inagural Emerging Designer Competition is open to all Canadian designers of all disciplines (interior design, architecture, industrial design, fashion, digital media, interactive design and more) who have worked a maximum of five years. The winning designer will receive a monetary prize of $10,000, and an exclusive opportunity to exhibit his/her work in an exhibition at the Design Exchange in January 2014. The deadline for submissions is September 30.

Last week's winner, Christian Soria
Pantone's summer-long “Capsure Your Inspiration” contest invites creatives and color lovers to capture their color inspiration in smartphone photos and share them on Instagram and Twitter. Each Monday on Instagram, Twitter and Facebook, Pantone will announce the beginning of a new contest. All you have to do to enter is—1. Snap a smartphone photo of something that inspires you; 2. Tag your photo #ColorInspires; 3. Call out the color you love, either by matching it to a Pantone Color (e.g., "PANTONE 136C") or simply by stating a color you love in the photo (e.g., "Yellow makes me happy!"); 4. Upload your photo and text to Instagram or Twitter. Everyone who shares will be eligible to win valuable Pantone merchandise, including two Capsure Bluetooth color capture and matching devices.
Alessi is calling for submissions for Alessi in Love, a metaproject in search of new inspirations, new directions, and new ways of interacting with a love gift, given to celebrate a special moment or to declare your feelings to a loved one. The creative process will involve designers and emergent talents from all over the world through the online contest. Projects will be selected and evaluated by a jury headed by Alberto Alessi. The winners will attend an exclusive three-day workshop, led by Laura Polinoro, to get involved in the development of a new Alessi collection, supported by a team of experts and using the latest technologies of real time prototyping. The deadline for entries is October 7.
The Design Council has launched a national early years Challenge, offering people grants of up to 180,000 Euros to turn their bright ideas into reality. The aim of this challenge is to kick-start new products, services or environments that will radically improve the health and wellbeing of young children living in Southwark and Lambeth. The search for ideas, called the Knee High Design Challenge, is run by Design Council in collaboration with Guy's and St Thomas' Charity, who are the sole funder of the program, and the London Boroughs of Southwark and Lambeth. The closing date for entries is September 30 with shortlisted entries to be notified by October 10.

Entry: Stereoscopic City by John Fox
MINI space has launched a photography and design competition, looking for fiery creative spirits who see the world in its most full-spectrum glory. Capture the vibrancy of your city's brightest nighttime neon, a radiant tangle of low-hanging bulbs, or a glowing streak of cars driving by. Go natural and catch the brilliance of an early morning sunrise. Or find illumination in the bright lustre of downtown lights. The deadline for submissions is October 14.
Feizy Rugs has kicked off its second annual "DIY—Design It Yourself" contest allowing designers and creative thinkers to imagine and design a rug that's all their own. Contestants may submit a maximum of two entries per person. Feizy will post the submissions to the company's Facebook and Pinterest pages and will consider fan favorites when choosing winners. Contestants can register via the Feizy Rugs Facebook page and submit their entries via email. Entries will be accepted through noon on September 2. The first prize is $1,000; second is $500 and third is $250. Winners will be announced on Feizy's Facebook and Twitter pages Sept. 6.
The Emerging New York Architects (ENYA) committee of the AIA New York Chapter announces its sixth biennial ideas competition, “Queensway Connection: Elevating the Public Realm.” This competition seeks to supplement the ongoing feasibility study for the railway’s transformation by proposing ways the future park can be activated in addition to recreation and leisure. With emphasis on the park’s access points the competition brief provides an opportunity to speculate about programming and design to extend street activity onto the railway. Prizes include: ENYA Prize - $5,000; 2nd Prize - $2,500; 3rd Prize -$1,000; and Student Prize - $1,000. All those interested are invited to attend the competition launch party on August 22 at 6:30 p.m., at the Center for Architecture, with comments by Adrian Benepe (Senior Vice President of The Trust for Public Land) and Frank Lupo, FAIA (Steering Committee Member, Friends of the QueensWay).

Indiana Design Center launches consumer workshop series

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This fall, the Indiana Design Center (IDC) will host a designer workshop series that is free and open to the public, in an effort to generate more consumer traffic in the building.
Design professionals affiliated with the IDC will present on topics that range from putting the “wow” factor into a room to creating the perfect holiday table setting.

“Event marketing, whether it be via showroom grand openings or designer workshops, is a key component to the IDC's marketing strategy,” said Andrea Kleymeyer, marketing director for the IDC. “Since the IDC includes both retail and trade-only showrooms, it is important to market to consumers and trade professionals and invite them to the building on a regular basis.”
“The IDC is in its third year of being open and continues to be discovered by homeowners seeking national brands, highly regarded Indiana companies and top professionals to work in the state,” she added. “A simple event is often the first visit one has to the IDC and then projects take off from there.”
Classes will take place on the third Tuesday of each month at 10:30 am. The “Fall Designer On Call Workshop Series” schedule is:
September 17—Designing the Green Home or Office—hosted by James Kuester of Kuester Design.
October 15—Putting the WOW in Your Home Décor—hosted by Barry Lantz of A Lantz Design & Consulting.
November 19—Holiday Entertaining with Style—hosted by David Jackson of David Jackson & Company.
“This designer workshop series is designed to introduce consumers to the design center in a fun and informative way while showcasing the knowledge and talents of professionals hosting the workshops,” said Kleymeyer. “In fact, when IDC hosted a ‘meet the design professionals’ open house last fall, we received great guest feedback and the request for more consumer-friendly events. Both consumers, professionals and showrooms want to be connected, and events create that extra nudge.”
More event details can be found on the IDC calendar. To RSVP, call or email the IDC Concierge at 317-569-5975.

How do architects and writers relate to one another?

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“Great architects build structures that can make us feel enclosed, liberated or suspended,” wrote Matteo Pericoli in an opinion piece for the New York Times. “They lead us through space, make us slow down, speed up or stop to contemplate. Great writers, in devising their literary structures, do exactly the same."
Creative writing students part of the “Laboratory of Literary Architecture” course at the Columbia University School of the Arts (SOA) in New York tried their hand in architecture. Here are a few examples of what they came up with:
“The Falls” by George Saunders— Project and essay by Javier Fuentes, SOA Fiction, in collaboration with Lorenzo Villaggi, M.Arch ’15
  
"The Falls" narrates the story of Morse, the main character, and a man who is so self-conscious and paranoid about what people in the town of St. Jude might think of him, that he becomes almost paralyzed by a myriad of possibilities. What the model is ultimately trying to convey is that when you are inside this structure, traveling back and forth, up and down, there is an imperious desire to discover the space as you become overwhelmed by its magnitude.
“Disgrace” by J.M. Coetzee— Project and essay by Joanne Yao, SOA Nonfiction, in collaboration with Chelsea Hyduk, M.Arch ’15
   
Disgrace by the South African author J.M. Coetzee is a book that contains a universe of themes. But at its core, it is the story of David Lurie, a professor of English at a university in Cape Town, South Africa who experiences several cataclysmic life events. Lurie is publically discredited as an educator and denounced as immoral after he rapes a student. The rectangular shape of the model is meant to recall a plot of soil on a farm, Lucy’s farm, where Lurie begins his journey. The path, represents the superficial shifts in Lurie’s attitudes, the temporary responses caused by the life-altering events he experiences. Because the events change his life but have little lasting effect on his principles, they’re shown here as knife-life slices that cut through the soil but only change the path insofar as to make it shift, to the left, or to the right. This is a game for the eye, of sorts. The slices do not affect the path in a meaningful way and ultimately, the path continues in the same direction.
“To the Lighthouse” by Virginia Woolf— Project and essay by Catherine Pond, SoA Poetry, in collaboration with Stephanie Jones, M.Arch ’15
  
The three sections of the model (the first house, the breezeway, the final house) represent the three sections in “To the Lighthouse” by Virginia Woolf. In designing a house with a similar structure to the novel, there should be two structures, and a passageway connecting them, as with the three chapters of the book. This triad would be the balance. So the two structures are alienated by a space, a gap, but connected by a passageway, which, situated on the far left, spills from one building into the next. To get from one structure to the other, one must endure the trip through this dark, windowless space.
“The Royal Game” by Stefan Zweig— Project and essay by Eloisa Diaz, SOA Fiction, in collaboration with Chelsea Hyduk, M.Arch ’15
  
In 1942, an ocean liner travels from New York City to Buenos Aires. The passengers are deserters, expatriates, opportunists, refugees, and exiles. Among them is the current world chess champion, Mirko Czentovic, who agrees to play one game against the rest of the passengers combined. The model is built on the belief that the human spirit can attain great heights if one puts in the effort. To that avail, the staircase is designed so that in its irregularity, it demands from the visitor not only the regular physical investment of the climb, but also the additional care one needs to put into finding a solid step among such triangular difficulty.
Students completed 12 projects in total and they can all be viewed here in greater detail.

How do architects and writers relate each other?

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“Great architects build structures that can make us feel enclosed, liberated or suspended,” wrote Matteo Pericoli in an opinion piece for the New York Times. “They lead us through space, make us slow down, speed up or stop to contemplate. Great writers, in devising their literary structures, do exactly the same."
Creative writing students in the “Laboratory of Literary Architecture” course at the Columbia University School of the Arts (SOA) in New York tried their hand in architecture. Here are a few examples of what they came up with:
“The Falls” by George Saunders— Project and essay by Javier Fuentes, SoA Fiction, in collaboration with Lorenzo Villaggi, M.Arch ’15
  
"The Falls" narrates the story of Morse, the main character, and a man who is so self-conscious and paranoid about what people in the town of St. Jude might think of him, that he becomes almost paralyzed by a myriad of possibilities. What the model is ultimately trying to convey is that when you are inside this structure, traveling back and forth, up and down, there is an imperious desire to discover the space as you become overwhelmed by its magnitude.
“Disgrace” by J.M. Coetzee— Project and essay by Joanne Yao, SoA Nonfiction, in collaboration with Chelsea Hyduk, M.Arch ’15
   
Disgrace by the South African author J.M. Coetzee is a book that contains a universe of themes. But at its core, it is the story of David Lurie, a professor of English at a university in Cape Town, South Africa, who experiences several cataclysmic life events. Lurie is publically discredited as an educator and denounced as immoral after he rapes a student. The rectangular shape of the model is meant to recall a plot of soil on a farm, Lucy’s farm, where Lurie begins his journey. The path represents the superficial shifts in Lurie’s attitudes, the temporary responses caused by the life-altering events he experiences. Because the events change his life but have little lasting effect on his principles, they’re shown here as knife-like slices that cut through the soil but only change the path insofar as to make it shift to the left or to the right. This is a game for the eye, of sorts. The slices do not affect the path in a meaningful way and ultimately, the path continues in the same direction.
“To the Lighthouse” by Virginia Woolf— Project and essay by Catherine Pond, SoA Poetry, in collaboration with Stephanie Jones, M.Arch ’15
  
The three sections of the model (the first house, the breezeway, the final house) represent the three sections in “To the Lighthouse” by Virginia Woolf. In designing a house with a similar structure to the novel, there should be two structures, and a passageway connecting them, as with the three chapters of the book. This triad would be the balance. So the two structures are alienated by a space, a gap, but connected by a passageway, which, situated on the far left, spills from one building into the next. To get from one structure to the other, one must endure the trip through this dark, windowless space.
“The Royal Game” by Stefan Zweig— Project and essay by Eloisa Diaz, SoA Fiction, in collaboration with Chelsea Hyduk, M.Arch ’15
  
In 1942, an ocean liner travels from New York City to Buenos Aires. The passengers are deserters, expatriates, opportunists, refugees, and exiles. Among them is the current world chess champion, Mirko Czentovic, who agrees to play one game against the rest of the passengers combined. The model is built on the belief that the human spirit can attain great heights if one puts in the effort. To that avail, the staircase is designed so that in its irregularity, it demands from the visitor not only the regular physical investment of the climb, but also the additional care one needs to put into finding a solid step among such triangular difficulty.
Students completed 12 projects in total and they can all be viewed here in greater detail.

Arteriors expands product distribution to 18 countries

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Late last month, Arteriors founder Mark Moussa signed sales distribution agreements with four European and Russian partners to expand the company’s product availability of lighting, furniture and accessories globally. Major agreements with Latitude 39, Wohnkulter, Kafuji and Litehouse Agency will bring Arteriors’ full spectrum of product to showrooms in Spain, Portugal, Morocco, Germany, Austria, Netherlands, Switzerland, Czech Republic, Slovakia, Romania, Hungary, Bulgaria, Denmark, Belgium, Luxemburg, Ukraine, Kazakhstan and the Russian Federation.
“Arteriors has grown exponentially throughout our 25 years in business and our expansion to Europe and Asia is an ongoing part of that effort,” said Moussa. “I regularly travel to Europe and have met with customers who are anxious to gain easier access to our products and I am thrilled that we are now able to bring Arteriors to this region in the world.”

This reporter spoke with Moussa—a veteran of the home accents business who grew up working in his father's import business, and founded Arteriors Home in 1987—and learned the details of the expansion.
What was the motivation behind this global expansion?
We have been selling for many years to international customers on an individual-request basis, but the interest level has increased drastically over the past year. We felt like it had grown to the point where we needed to start building out the international support team and get focused on the opportunity and bring more international customers the product they want in a direct way.
What countries seem to be the most interested in Arteriors?
The initial round of 18 countries covered in these new agreements paint a pretty good picture of where the demand is right now—a mix of Western and Eastern Europe and the Russian Federation. We also recently signed an agreement with Cadicus Folium to represent us in Central and South America. Our products became available in Australia and New Zealand earlier this year.
Why did you choose to expand to the countries that you did?
The selection of geographies to target was based on a combination of factors but three really come to the top: 1. Where we were already were experiencing international demand, 2. Where we see growing international interest in American brands, and 3. Where the Arteriors aesthetic filled a known market need.
Is there a different selection of products that are popular abroad, as opposed to the US?
The Arteriors line is so broad with so many different materials, we have been pleasantly surprised at how well our domestic top-sellers have translated to international markets.
Do you see your competitors doing this as well, or are you sort of pioneering this venture?
Many home furnishing companies wait to expand internationally when their domestic sales start to plateau—that’s not the approach we are taking. We are growing aggressively both at home and abroad.
The new partnerships will service the following areas:
•    Latitude 39 will service Spain, Portugal and Morocco.
•    Wohnkulter will cover Germany, Austria, Netherlands, Switzerland, Czech Republic, Slovakia, Romania, Hungary, Bulgaria and Denmark.
•    Kafuji will service Belgium and Luxembourg.
•    Litehouse Agency will service customers in the Ukraine, Kazakhstan and the Russian Federation.

Style Spotter alumni back for Fall High Point Market

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Nine alumni Style Spotters will be back for the Fall High Point Market as part of the Rewind! program, revisiting past picks and providing updates on the top products and trends they spot this year.
The High Point Style Spotters, which launched during the Fall 2011 Market, are home fashion trendsetters that showcase their favorite products and top trends from Market exhibitors on Pinterest.
This fall, market attendees can also participate by voting on pinboards and products, generating “likes” or re-pinning their favorite Style Spotter's pick on the Market Pinterest board—Style Spotters will present exhibitors with signs that highlight their name with a QR code and URL.
The Style Spotters for Fall Market are as follows:
   
Michelle Wiebe, Spring 2013 Market Winner, Studio M (@StudioM); Gretchen Aubuchon, Fall 2012 alumni, Fashion + Decor (@fashiondecor); and Tobi Fairley, Fall 2011 alumni, Tobi Fairley Interior Design (@tobifairley)
   
Lisa Ferguson, Fall 2011 alumni, Decor Mentor (DecorMentor); Shay Geyer, Spring 2012 alumni, IBB Design Fine Furnishings (designerShay) and Janel Laban, Fall 2012 alumni, Apartment Therapy (AptTherapy)
   
Lisa Mende, Fall 2012 alumni, Lisa Mende Design (@LisaMendeDesign); Stacy Naquin, Fall 2012 alumni, Stacy Naquin Interiors (@StacyNaquin); and Traci Zeller, Fall 2012 alumni, Traci Zeller Designs, @tracizeller
To follow the Style Spotter's Pinterest pages, click here. The Fall High Point Market takes place October 19 - 24.

CEO Summit set for winter Las Vegas Market

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“This executive-level gathering is designed to address critical business issues and provide insights into the issues—and opportunities—across today’s gift and home furnishings industries,” said Scott Eckman, International Market Center’s chief marketing officer. “For 2014, the conference content will encompass subjects relevant not only to gift and home décor specifically, but also to home furnishings in general.”
  

Clockwise from top: Susan Packard, Charles Garcia, Vivek Kundra
The second-annual CEO Summit will be held January 29 and 30 during the Winter 2014 Las Vegas Market. Confirmed speakers include Susan Packard, co-founder of HGTV, who will present “Entrepreneurship: How to Create and Build Great Companies,” using examples from her own career successes and discussing her best practices experience of entrepreneurship; Charles Garcia, former White House aide under George W. Bush and nationwide leader in the Hispanic community, who will address the rising consumer influence of Hispanics in the U.S., and suggest how the gift and home furnishings industries can cater to this community in everything from product development to company operations; and Vivek Kundra, the first U.S. chief information officer appointed by President Barack Obama, who will speak about proper IT planning for businesses and the role that data will play in the future to transform businesses into worldwide organizations.
The inaugural Las Vegas Market CEO Summit was held in January 2013 at Las Vegas Market, and according to conference organizer Randy Eller, the combination of hard-hitting keynote addresses, lively panel discussions and informative presentations was greeted enthusiastically by leading industry executives.
“No other industry event allows top-level gift and home furnishings industry executives to interact and exchange ideas in an educational and inspirational environment,” said Eller, president of Eller Enterprises. “The exceptional quality of the speakers and presentations presents an unparalleled opportunity for industry executives to address issues that affect their individual businesses as well as the overall world economy.”
“The Inaugural CEO Summit was a great event, and well worth the cost for such a great line up of keynote speakers and session topics relevant to C Level Management,” said Lendell Glassco, president of Paragon. “As a business owner, it was very helpful to hear how other companies in our industry are adapting to constantly changing business conditions. I’m sure everyone came away with an idea or two that can be implemented in their own environment to be more successful.”
Additional speakers are being confirmed and will be announced in the coming months.

Jeffrey Alan Marks to debut fabrics for Kravet

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California-based interior and furniture designer and star of Bravo’s Million Dollar DecoratorsJeffrey Alan Marks, has signed on to work with Kravet for his very first fabric collection, set to debut in fall 2014.
“I'm beyond delighted to be partnering with Kravet on my first fabric collection,” said Marks. “Our combined focus is on creating beautiful fabrics at affordable prices. Expect to see lots of my signature beachy blues and forest greens. We've developed a number of exciting prints that are fresh, vibrant and sophisticated, wovens that have wonderful texture and depth, and a few surprises that I can't wait to start using in all my projects."

The collection will coincide with Marks’ “design by nature” philosophy, which is based on inspiration from his laid-back, California lifestyle. His vision is for the designs to exude style and luxury in perfect sync, exhibiting clean lines and classic, harmonious proportions.
"We are excited about our new collection because the casual California perspective he brings does not exist in our current product offerings," said Scott Kravet. "His original designs offer focused details that can be interpreted in various mediums either print, weave or window constructions. His color combinations are also unique and can provide an interesting backdrop to any interior. Perspective, design, color—that's what his collection is all about." 
Marks started his career as a model while studying design at the Inchbald School of Design in England. He later lived in Milan and Paris, where he still draws inspiration from today. He started his own firm, JAM, Inc., based in Santa Monica, focusing on luxury homes and commercial projects.

Star architects to present at Monterey Design Conference

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During the biennial Monterey Design Conference (MDC), international architects, emerging talents and out-of-the-box thinkers converge for design programs that combine with social events to create a full weekend for creative thinkers. Attendees will learn about forward-thinking design, engage in discussion and debate, and satisfy intellectual pursuits in Monterey, California, September 27 – 29.
  
Kogan and Mayne
Speakers include Parisian architect Odile Decq, designer of MACRO (Museum for Contemporary Art in Rome); Pulitzer Prize winner Thom Mayne, FAIA, designer of the new Perot Museum of Nature and Science; One of Wallpaper* Magazine’s “100 Most Influential People,” Marcio Kogan, Hon. FAIA, of Brazil; The Walker Art Center Open Field architect Jennifer Yoos, FAIA, from Minneapolis; Kengo Kuma, Hon. FAIA, architect of Japan’s One Niseko Hotel; and New York-based Thomas Phifer, FAIA, architect of the North Carolina Museum of Art.
  
Yoos and Kuma
Since 1980, MDC has hosted an encyclopedia of creative talent, including TED founder Richard Saul Wurman, who spoke at the inaugural MDC—four years before launching the first TED conference; World Trade Center Memorial landscape architect Peter Walker, FASLA; futurist Paul Saffo; Sea Ranch architect Charles Moore, FAIA; Case Study House #22 architect Pierre Koenig, FAIA; “My Architect” filmmaker Nathaniel Kahn; Obama appointee to the U.S. Access Board for Accessible Design Michael Graves, FAIA; Guggenheim Bilbao architect Frank Gehry, FAIA; NASA consultant Timothy Ferris; Oslo Opera House architect Craig Dykers; Freedom Tower architect David Childs, FAIA; and “Whole Earth Catalogue” editor Stewart Brand among others.
This conclave of design minds is conducted and hosted by The American Institute of Architects, California Council (AIACC), which represents the interests of more than 11,000 architects and allied professionals in California. Founded in 1944, The AIACC's mission supports architects in their endeavors to improve the quality of life for all Californians by creating more livable communities, sustainable designs and quality work environments.
Once only open to architects and designers, MDC now welcomes engaged thinkers and doers to join the discussion. Registration—from full weekend with room and board to one-day passes—is available here.

Dwell with Dignity’s Thrift Studio features top Dallas designers

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A 30-day pop-up shop featuring luxury room vignettes created by top interior designers and select retailers, the Thrift Studio will make its way to the Dallas Design Center October 10 – November 9, offering deeply-discounted product to benefit the future work, growth, organization and structure of Dwell with Dignity's non-profit projects.

Jan Showers
This year’s honorary chair is interior and product designer Jan Showers, and retail and designer participants include Horchow, Cody Hutcheson of Codarus, Katie Reynolds of Lilli Design, Leslie Pritchard of Again & Again, Neal Stewart of Neal Stewart Designs, Sherry Hayslip of Hayslip Design Associates and Todd Fiscus of Todd Events.
The VIP preview party takes place on Thursday, October 10 at 6:00 p.m. followed by the preview party at 7:00 p.m. Tickets are available online starting September 3.
The pop-up store officially opens on Friday, October 11 and will remain open through November 9. Hours are Tuesday through Saturday from 10:00 a.m. to 5:30 p.m.
Dwell with Dignity is a non-profit group of interior designers and volunteers dedicated to creating soothing, inspiring homes for families struggling with homelessness and poverty. It provides and installs home interiors for families that include furnishings and art, bedding and kitchen supplies, and food in the pantry.

DDB introduces Fall Market “Blog Ambassadors”

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For the past few years, the Decoration and Design Building (DDB) has hosted a number of recognized bloggers in the Go Design Go Bloggers Lounge during the semi-annual market. This year, a select group of eight bloggers, each of whom applied to be part of the new Blog Ambassador program, will report on the happenings and highlights of the two-day market via their design blog and social media channels.
“There are a lot of exciting things to look forward to during our upcoming Fall Market, and we couldn't be happier that these eight individuals will be front and center at the DDB throughout the two days of market, serving as our blog ambassadors and reporting on all that's happening,” said Kate Jerde, marketing director for the DDB. “They will enjoy a number of privileges, including VIP seating at all of our keynotes and the in-showroom programs, special access to those participating in the events, and an all-access pass to the Niedermaier Media Lounge, among other things.”
Here’s a look at the Fall Market Blog Ambassadors:
Patrick J. Hamilton for Ask Patrick@ask_patrick

Hamilton is a tastemaker, interior designer, blogger, writer, humorist and activist living and working in Manhattan. His blog features residential makeovers and interior design industry coverage. In his design work, Hamilton demonstrates his signature “Invest, Save & Splurge” approach, creating environments that are functional, comfortable, and highly expressive of each client. He’s appeared on HGTV, HouseBeautiful.com, TheKitchn.com and Ohdeedoh.com, and is a contributor to ApartmentTherapy.com, where he won the first “Smallest, Coolest Home” contest. He also won the first Bloomingdale’s“Big Window Challenge.” Hamilton spearheaded “It Gets Better: NYC Designing Men,” and he writes for Bilericoproject.com and Huffington Post Gay Voices.
“It’s exceptionally rewarding to help make someone’s home beautiful, functional for them, and a place they love to be,” he said. “Plus, the New York interior design community is so generous, so charitable, and so hard-working, it’s an honor to be part of it.”
Carrie Leskowitz for Carrie's Design Musings@cleskowitz

As the principal of Carrie Leskowitz Interiors, a small boutique firm in Philadelphia, Leskowitz calls upon restraint and a keen eye for detail to allow her to articulate a relevant, sophisticated environment specific to each client and their lifestyle. With a background in fashion and psychology, her motto is "a dash of drama goes a long way." Her blog organically began almost three years ago. It has enriched her life and career in ways she could have never imagined. With a viewership of over seven million monthly visitors, Philly.com recently named Leskowitz one of its new voice contributors.
“Sometimes you don't choose a career, it choses you,” she said. “That's how I feel about the business of design. I love that every job presents a new set of challenges, a new education and chance for collaboration. Of course, the self-satisfaction I feel from a happy client means the world!”
Tina Ramchandani for Life in Sketch@LifeinSketch

Founded and authored by Manhattan-based interior designer Tina Ramchandani, Life in Sketch is a design blog with an emphasis on interiors. With over eight years of experience in the industry, Ramchandani has an eye for well-designed spaces and novel products with great design. Life in Sketch's mission is to share unique perspectives on interior design and tips of the trade as related to products and practices, and to help every reader discover great design and inspire them to create a luxurious, stylish home for themselves.
“As an interior designer I'm inspired by everything around me,” she said. “I'm fortunate enough to see some of the most beautiful spaces and best products in the industry. Being surrounded by creative design makes every day better and motivates me greatly.”
Sarah Sarna for Live The Life You Dream About@SarahSarna

Written by Manhattan-based interior designer Sarah Sarna, Live The Life You Dream About is a lifestyle blog with a focus on style, interiors, fashion, New York, and life. The blog is centered on Sarna’s belief that interior design is about embracing life and how you want to live it. This November marks the two-year anniversary of Sarah’s eponymous firm, Sarah Sarna Interior Design, as well as her design blog. Prior to that, Sarna honed her expertise with long-established New York firms Shawn Henderson and Pembrooke & Ives.
“Every day in design is fueled by passion, solution-orientation, and inspiration," she said. “I love what I do.”
Samantha Snowden for Go Design Go@GoDesignGo

Samantha Snowden is the blog editor for Go Design Go, the Cohen Design Centers' passport to the world of design, which covers news, events, product and collection launches, and much more at each of the four Cohen Design Centers across the country. She is also the associate editor of news and events for Editor at Large, the daily media of record for the high-end residential interior design industry. Prior to joining Go Design Go and Editor at Large, Snowden interned at the Daily News, Westchester Home magazine, and REDBOOK, where she realized her love of both interiors and writing. She graduated with a BA in Journalism from SUNY Purchase College in 2012.
“Working on the editorial side of the design industry constantly inspires me, and the best part is how much I learn on a daily basis,” she said. “Mostly, I love the people behind the industry, and I love to write about them and allow their story to be told.” 
Barbara Viteri for Viteri Style Management@ViteriStyle

Barbara Viteri provides practical solutions to interior designers running a boutique-style business.
“What I love most about working in the design industry is working directly with designers that change the style of how this industry works,” she said. “The creative eye of an interior designer can make the biggest impact on this industry alone. I love that style!”
Jessica Wong for Fish's Philosophy@sillydrunkfish

Jessica Wong is a lifestyle blogger, designer and social media consultant living in the Big Apple. Chronicling the daily musings of a 20-something New Yorker, Fish's Philosophy is Wong’s “little black book.” With a background in interior design, Wong uses her blog to report on and feature the very best in design, travel, fashion, love, and culture. Her favorite quote of all time is "the sky is the limit."
“It is the best job in the world, to wake up and go to work to be creative and get paid for it,” she said. “You see, design is not all about the art and the pretty things, but the excitement and energy that the finished products bring to the world. And my job as a blogger is to present the designs at a very different angle to the audience, in a creative way!"
Lisa Mende for Lisa Mende Design@designLHM

Founder and Principal of Lisa Mende Design, Lisa Mende is hailed for creating classic interiors with a delightfully modern vibe. Over the course of 15 years, she’s built a vibrant practice, working on homes, commercial businesses, and historic properties, as well as Traditional Home’s Show House. On her blog, she shares design advice, personal projects, industry events, new products, industry innovations, and regular features on well-known designers. Mende has won the High Point International Furniture Market Style Spotter Contest in 2012, was an invited member of Blogtour London with Modenus, and is a curator for Joss & Main.
“What I enjoy most about working in the design industry is having the advantage of being on the cutting edge of new trends, colors, furniture, fabrics, and wallpapers,” she said. “When I shop the markets for new merchandise, I get so excited when I find fresh new designs for clients’ homes.”
Fall Market takes place Tuesday, October 1, and Wednesday, October 2, and will feature four keynote presentations, as well as book signings, showroom events, new product introductions and cocktail parties.
The official Media Lounge for the bloggers during Fall Market will be located in the Niedermaier showroom. Here, bloggers will recharge, grab a snack and do exclusive interviews with Fall Market panelists and guests.
For live feeds and updates, follow each of the bloggers on Twitter as well as the DDB (@DandDBuilding) and join the conversation by using #ddbmarket.

Furniture Brands to delist from New York Stock Exchange

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Furniture Brands International (FBN) will voluntarily delist its common stock from the New York Stock Exchange ("NYSE") with its the last day of trading to be tomorrow, August 27. Beginning August 28, FBN will be listed on the OTCQB Marketplace.
The decision was made when FBN's absolute market capitalization fell below $15 million and the company deteremined it would not be able to comply with the NYSE's continued listing criteria.
NYSE requires listed companies to maintain an average market capitalization of not less than $50 million over a consecutive 30 trading-day period and total stockholders' equity of not less than $50 million.
Furniture Brands is home to major companies including Thomasville, Broyhill, Drexel Heritage, Henredon, Hickory Chair, Maitland-Smith, Pearson and Lane Venture, and LaBarge. It markets through a wide range of channels, including company owned Thomasville retail stores and through interior designers, multi-line/ independent retailers and mass merchant stores.

PIVOT offers design apprenticeships to the homeless

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A new initiative launched by not-for-profit organization Back on My Feet teaches design and construction to the homeless. Through the PIVOT apprenticeship, participants are trained to identify objects of historical value, plan a restoration art project and implement their ideas into actionable activities. They are introduced to the basic principles of design, furniture design, art history and artistic expression through instruction in the hands-on, re-purposing of old discarded and/or vintage furnishing.

Unlike traditional vocational programs, PIVOT is designed to accommodate different skill levels within different allied fields of carpentry, and construction. A blend of artists, designers and creative individuals lead the workshops to help members create one-of-a-kind art furnishings that are sold online and at events to benefit the Back on My Feet program.
  
“The PIVOT initiative is an extension of our running-based program which builds confidence and self-sufficiency and includes housing and employment resources for our members,” said Anne Mahlum, Back on My Feet founder and CEO. “We are very excited about this program, which we feel will open doors for more members looking to build their talent and have the best opportunity to succeed.”  
 
The newest editions to the furniture collection will be introduced to the New York City design community and will be up for sale at PIVOT’s launch event at the Soho House on September 26. The pieces can also be bought online at From The Source starting next month.

Dering Hall partnerships bring design center products online

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Since announcing its expansion plans in late May, online marketplace Dering Hall has launched an initiative that allows design centers to showcase products through its global digital platform. Until now, design centers' efforts have been limited to posting product on their own sites.
Participating design centers include Atlanta Decorative Arts Center (ADAC), New York Design Center (NYDC), the Boston Design Center (BDC), the San Francisco Design Center (SFDC), and the Design Center at the Merchandise Mart in Chicago.
 
"The idea is to enable designers from around the world to be able to filter their searches by location and pre-shop design centers in advance of their travels," said Peter Sallick, Dering Hall's co-founder. "This is particularly beneficial as many projects are not in the designer's own state and his or her clients often need local access to see products before purchase. Designers need to efficiently find products for their projects and showrooms need to create visibility to their products—this is a great, incremental way for this to happen."

The Dering Hall team is committed to providing a curated online experience for very high end companies and the designers who buy from them. "Many sites have in the past said they are high end, but ultimately have moved downmarket in the interest of building ecommerce revenue," said Sallick.
Product from brands currently featured on Dering Hall can be linked with one or more design centers. In addition, design centers will have the ability to feature product from brands that are not on the site. By partnering with the design centers and helping to market the center and their respective showrooms, Dering Hall hopes to further encourage the brands to come onto the site.
 
Dering Hall has also formed alliances with two industry associations: the Institute of Classical Architecture and Art (ICAA) and the Decorative Furnishings Association (DFA), each of which will have prominent exposure on member pages throughout the site and through individual profile pages.

"Dering Hall benefits by building relationships across the industry and as a result, by building visibility to what we are doing.  We have a big job to build awareness for our brand and for our mission of promoting design and the design marketplace," said Sallick.

High Point helps exhibitors connect with designers and buyers

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Last week, the High Point Market Authority launched an online tool for exhibitors to market themselves more effectively. The website, exhibitors.highpointmarket.org, challenges exhibitors to get more involved by updating their profiles, sharing photos and news, creating press kits, creating a free banner ad, co-branding with the High Point Market, pre-scheduling appointments with designers and most importantly, reaching out to designers and trade-only professionals prior to the market.

“Our most successful showrooms tell us that the key to earning a high traffic count is to reach out to your customers as they’re planning for Market, to make sure your showroom is on their schedule,” said Tom Conley, president and CEO of the High Point Market Authority.

“During that critical planning period, the Market Authority is in constant communication with buyers, encouraging them to search for suppliers and plan their visits. Typically, we enjoy a very strong response to these communications. In the 90 days before Market, we see an average of more than 2,300 visitors and almost 3,400 exhibitor searches every day. The micro site gives the exhibitors the tools and communication vehicles to better communicate with buyers and designers who are attending High Point Market,” he added.
“With that many buyers searching for suppliers, our Exhibitor Profiles are very valuable. Simply by making full use of the free features found in their profiles, exhibitors can leverage our marketing efforts to increase buyer interest in their showroom.”

The Market Authority hopes that these new tools will leave designers and buyers with clear, concise plans, and that they will be able to better navigate the nearly 10 million square feet of exhibitor space this fall.

Julia B. and Bernard Maisner take calligraphy off the page

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Bespoke linen maker Julia Berger has collaborated with master calligrapher Bernard Maisner to produce a collection of hand-made, luxury linens, "Bernard Maisner by Julia B." Berger has translated the calligraphic and artistic designs of Maisner via embroidery onto fine linens. 
"I love the pursuit of 'taking calligraphy off the page' and exploring new applications to showcase the power of writing as a graphic and emotive element,” said Maisner. “Thread becomes my ink, and linen my paper, in this exciting collaboration with Julia B. The beauty of the detailed and tactile results is stunning. Julia and I passionately value the purity of our respective arts—and by virtue of being hand made, each item in this collection is a one-of-a-kind original work of art."

"I have long admired Bernard Maisner's artistry, so I was thrilled when he agreed to a collaboration that I had been quietly dreaming of for years,” said Berger, founder of Julia B. Couture Linens.“Perhaps we could expand on the classic monogram and apply calligraphy to linens instead of paper? In this world of mass made, mass produced products, I am always looking for ways to promote the art of ‘The Hand Made’ and I am thrilled with the results of this collection."
  
The collection is comprised of three categories: tabletop, including cocktail napkins, napkins and place servings; bedding, including bed sheets, coverlets, duvet covers, pillows and shams; and accessories, comprising of decorative pillows, paperweights and a Holiday collection to include stockings and tree skirts.

The design elements respectfully interpret Maisner's calligraphy, calligraphic flourishes and animal motifs onto 100% cotton percale and linen in customized embroidery thread colors. As part of this unique collaboration, every item in this collection will be personally autographed by Maisner, and packaged in a Julia B. designed, hand-made cotton and linen "envelope," which emphasizes the marriage of embroidery and fine stationery in this unique collaboration.
The collection will be available online and at select retailers beginning next month.

NYSID to showcase the textiles of designer Boris Kroll

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Fabric innovation is a vital chapter in America’s interior design history, and Boris Kroll, internationally known textile designer and weaver, will be the subject of an exhibition on view at the New York School of Interior Design (NYSID) Gallery, October 2 – December 7.
“Mid-Century Maestro: The Textiles of Boris Kroll” will showcase more than 90 textiles from Kroll’s archive, which was purchased in 1991 by Scalamandré. The display of historic textiles, supported by photographs and documentary materials, will showcase the extraordinary range and sophistication of the Boris Kroll collection and bring its rich history to life.

“Kroll was a self-taught weaver who went on to establish one of the largest textile mills in America,” said Steven Stolman, president of Scalamandré. “We have wanted to share the brilliance of Kroll fabrics with the public for a long time, and his work is as fresh and exciting as ever. This show provides the perfect context and setting to honor Kroll’s quest for learning and innovation and further secures his place in history.”
Kroll is credited with the first introduction of bright color into upholstery fabrics and the invention of a trademark jacquard weave incorporating multiple types of textured yarns to produce his signature undulating patterns and geometric designs.

Born in 1913, Kroll founded his company in the 1930's and the Kroll mill became a thriving industry leader in the textile-manufacturing hub of Paterson, New Jersey. In the 1970's, Kroll pioneered the use of the Jacquard loom in a new way to execute his large-scale tapestry designs, intended to brighten large expanses of walls in public places and corporate offices.
By the 1980's, the company had come to be considered a leader in combining advanced weaving technology with imaginative patterns and an original, enduring color sensibility for use in homes, offices, hotels, ships and even airplanes. As just one example, Kroll designed textiles for the Continental Airlines premier 747 jet service to Honolulu, which featured colors ranging from hot pink in first class to turquoise blues in coach.

Kroll fabrics and tapestries are highly prized by collectors and are in the permanent collections of the Victoria & Albert Museum in London, the Detroit Institute of Arts, and were featured in a 1956 show at the Museum of Modern Art entitled "Textiles USA"—the first major show devoted entirely to modern American textiles. Solo exhibitions have been mounted at the Seattle Art Museum, the Detroit Institute of Arts, Fashion Institute of Technology, and at Guild Hall in East Hampton, New York.
The exhibition will be open to the public from Wednesday, October 2 – Saturday, December 7 at the NYSID gallery, 161 East 96th Street in New York City. Gallery hours are Tuesday through Saturday from 10:00 a.m. – 6:00 p.m.

Paola Navone teams up with Crate and Barrel

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Renowned Italian interior designer, architect and art director Paola Navone is set to launch the first of three collections for Crate and Barrel next month, including more than 140 items across multiple categories from tabletop to textiles, decorative accessories, lighting, rugs, dining tables, seating and more. This is the first time Crate and Barrel has partnered with a designer to create such an expansive collection.
"Every project begins with a meeting, be it a master, a craftsman, an artist or a business owner,” said Navone. “Each meeting is the beginning of a beautiful adventure. My first meeting with Marta Calle (president and chief merchant for Crate and Barrel) was the spark that ignited this dynamic collaboration with Crate and Barrel. Many people from different cultures and parts of the world helped contribute to the Paola Navone Collection Only at Crate and Barrel. We all come away feeling enriched from this experience."

Navone's design aesthetic reflects her lifetime of travel, commitment to handcraft, and passion for global culture and design. With her first collection for Crate and Barrel, she draws upon these influences to celebrate her love of casual entertaining.
  
At the heart of the collection are three tabletop offerings, including an expansive selection of ceramic dinnerware, flatware, hand-blown glassware, serving pieces, plus table linens and accessories. Also offered is an array of dining furniture including eleven dining tables and nine seating options.
In colors mirroring the Mediterranean—deep blue, cool aqua and crisp white, with accents of vibrant red—the collection showcases Navone’s eclectic point-of-view and eye for authentic detail. Fluid shapes and bold textures are a common theme, as are familiar materials including glass, ceramic, wood, tile and marble, which are combined in unexpected ways.

"Paola draws influence from many cultures, which she blends effortlessly into her designs, her homes and her personal style," said Calle. "We are thrilled to collaborate with Paola on this exclusive, affordably-priced collection, which reflects our shared values of casual elegance in entertaining and everyday living."

The collection will debut in select Crate and Barrel stores on September 9, and will also be available online through crateandbarrel.com and in all Crate and Barrel locations by September 13.
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